Advice to Myself by Louise Erdrich

Mixed media drawing by Small Circle Big Circle

Advice to Myself


Leave the dishes.
Let the celery rot in the bottom drawer of the refrigerator
and an earthen scum harden on the kitchen floor.
Leave the black crumbs in the bottom of the toaster.
Throw the cracked bowl out and don’t patch the cup.
Don’t patch anything. Don’t mend. Buy safety pins.
Don’t even sew on a button.
Let the wind have its way, then the earth
that invades as dust and then the dead
foaming up in gray rolls underneath the couch.
Talk to them. Tell them they are welcome.
Don’t keep all the pieces of the puzzles
or the doll’s tiny shoes in pairs, don’t worry
who uses whose toothbrush or if anything
matches, at all.
Except one word to another. Or a thought.
Pursue the authentic—decide first
what is authentic,
then go after it with all your heart.
Your heart, that place
you don’t even think of cleaning out.
That closet stuffed with savage mementos.
Don’t sort the paper clips from screws from saved baby teeth
or worry if we’re all eating cereal for dinner
again. Don’t answer the telephone, ever,
or weep over anything at all that breaks.
Pink molds will grow within those sealed cartons
in the refrigerator. Accept new forms of life
and talk to the dead
who drift in through the screened windows, who collect
patiently on the tops of food jars and books.
Recycle the mail, don’t read it, don’t read anything
except what destroys
the insulation between yourself and your experience
or what pulls down or what strikes at or what shatters
this ruse you call necessity.

—Louise Erdrich

Mixed media drawing by Small Circle Big Circle

God says yes to me by Kaylin Haught

I asked God if it was okay to be melodramatic
and she said yes
I asked her if it was okay to be short
and she said it sure is
I asked her if I could wear nail polish
or not wear nail polish
and she said honey
she calls me that sometimes
she said you can do just exactly
what you want to
Thanks God I said
And is it even okay if I don’t paragraph
my letters
Sweetcakes God said
who knows where she picked that up
what I’m telling you is
Yes Yes Yes

Lipstick and eye shadow on linen by Small Circle Big Circle

Should I be gone forever

by Small Circle Big Circle

Photo by Small Circle Big Circle

Should I be gone forever,

yes, do weep for me.

But also, 

look in the mud

your little feet 

will want to step in.

Look in the grass,

in the trunks of the trees;

look in the raindrops,

in the drops of dew on the leaves.

Look in the snowflakes

that caress gently your face;

look in the sand at the beach,

in the stars up in space.

I know I’ll be there,

Please come and look for me.

Hear me in the song of the crows,

in the call of the owl;

Hear me in the sound of the waves,

in the wind, in the brook, 

in the rain, in the fire.

I know I’ll be there;

Please come and look for me.

Feel me in your heart

laughing hard, singing loud;

holding your hand,

brushing your hair,

hugging you tight;

can you see 

I am really there?

I’ll tuck you in at night.

I’ll whisper a prayer;

I’ll bake you a cake in the morning,

I will be there.

I will always be there. 

My heart in your heart 

Will forever be.

For ever and ever

You three and me.

Parole scoperte

Foto di Small Circle Big Circle

Parole scoperte,

perse,

poi ritrovate 

qui

sulla carta 

bianca e deserta.

Parole cadute 

come gocce di sudore,

o saliva filante,

o lacrime involontarie.

Parole scritte

per capire,

per pensare,

per scoprire

la realtà delle cose,

nelle cose stesse.

Parole lette

per poter vivere,

per poter essere,

per poter rispondere

a quella mano che bussa

insistente e violenta.

E per poi poter dire

un giorno:

“Arrivo, arrivo!

Adesso apro.”

Archeologia

Di Small Circle Big Circle

Foto di Small Circle Big Circle

Nelle strade di Roma,

nelle vie, nei vicoli e nei vicoletti,

nelle piazze e nelle piazzette,

sulle fontane,

fra le statue e fra i ruderi,

nelle chiese,

sui muri rosa, gialli,

e su quelli arancioni,

ai mercati e sui palazzi antichi,

sui monumenti e 

sulle scalinate di marmo

sporco o restaurato, 

sempre

mi ritrovo 

alla ricerca

di qualche avanzo di storia.

Della mia storia.

Di qualche traccia del 

mio

passato.

O di impronte 

da me 

lasciate.

o di qualche 

mia 

forma

fossilizzata 

dal tempo.

Ma

in mezzo a così tanta 

storia non mia

mi sembra di trovare

solo qualche ricordo

futile

occasionale

che 

come il rumore di un motorino

appena lo si avverte

scompare 

subito

nel nulla.

To Emily Dickinson

To Emily Dickinson

by Small Circle Big Circle

Sister,

you are to me.

Though I have never met you.

Nor have I ever heard

the sound of your voice;

nor held your hand into mine,

nor tasted the flavor

of your bread.

Sister,

you are to me.

The words you left behind,

hoping

they would be destroyed

one day,

feed me

day and night.

“It is not the words,” someone said

“but the power within them,

the light, the truth in them

is what gives them life.”

Your verse, 

my sister,

is

Alive.

O

so Alive!

It breathes the known and the unknown

of the universe.

It is a constant

reflection

of Being;

in your eyes,

always so perfectly clear and distinct.

You are a sister to me.

And though I have never met you

Nor heard the sound of your voice

Nor held your hand into mine,

You walk with me,

Side by side.

And your words,

yes,

feed me

day and night.

The bread

of my every day.

The Guest House by Rumi

This being human is a guest house.
Every morning a new arrival.

A joy, a depression, a meanness,
some momentary awareness comes
As an unexpected visitor.

Welcome and entertain them all!
Even if they’re a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still treat each guest honorably.
He may be clearing you out
for some new delight.

The dark thought, the shame, the malice,
meet them at the door laughing,
and invite them in.

Be grateful for whoever comes,
because each has been sent
as a guide from beyond.

– Rumi

by Small Circle Big Circle

How to be a poet by Wendell Berry

(to remind myself)

i   

Make a place to sit down.   

Sit down. Be quiet.   

You must depend upon   

affection, reading, knowledge,   

skill—more of each   

than you have—inspiration,   

work, growing older, patience,   

for patience joins time   

to eternity. Any readers   

who like your poems,   

doubt their judgment.   

ii   

Breathe with unconditional breath   

the unconditioned air.   

Shun electric wire.   

Communicate slowly. Live   

a three-dimensioned life;   

stay away from screens.   

Stay away from anything   

that obscures the place it is in.   

There are no unsacred places;   

there are only sacred places   

and desecrated places.   

iii   

Accept what comes from silence.   

Make the best you can of it.   

Of the little words that come   

out of the silence, like prayers   

prayed back to the one who prays,   

make a poem that does not disturb   

the silence from which it came.

Three by small circle big circle

As it fell upon a Day

AS it fell upon a Day,
In the merry Month of May,
Sitting in a pleasant shade,
Which a grove of Myrtles made,
Beastes did leap, and Birds did sing,
Trees did grow, and Plants did spring:
Every thing did banish mone,
Save the Nightingale alone.
Shee (poor Bird) as all forlorne,
Leand her breast up-till a thorne,
And there sung the dolefulst Ditty,
That to heare it was great Pitty,
Fie, fie, fie, now would she cry
Teru, teru, by and by:

That to hear her so complaine,
Scarce I could from teares refraine,
For her griefes so lively showne,
Made me thinke upon mine owne.
Ah (thought I) thou mournst in vaine,
None takes pitty on thy paine:
Senselesse Trees, they cannot heare thee,
Ruthlesse Bears, they will not cheer thee.
King Pandion, he is dead.
All thy friends are lapt in Lead.
All thy fellow Birds doe sing,
Carelesse of thy sorrowing.

Whilst as fickle fortune smild,
Thou and I, were both beguild.
Every one that flatters thee,
Is no friend in misery.
Words are easie, like the wind,
Faithful friends are hard to find;
Every Man will be thy friend,
Whilst thou hast wherewith to spend:
But if store of Crowns be scant,
No man will supply thy want.
If that one be prodigal,
Bountiful they will him call:
And with such-like flattering,
Pity but he were a King.

If he be addict to vice,
Quickly him they will intice.
If to women he be bent,
They have at Commaundement.
But if Fortune once do frown,
Then farewel his great renowne.
They that fawn’d on him before,
Use his company no more.
He that is thy friend indeed,
He will helpe thee in thy need.
If thou sorrow, he will weep;
If thou wake, he cannot sleep.
Thus of every grief in heart,
He with thee doeth beare a part.
These are certain signs to know
Faithful friend from flatt’ring foe.

(attr. W. Shakespeare; probably by R. Barnfield)

Gravity’s Law by Rainer Maria Rilke

How surely gravity’s law

strong as an ocean current,

takes hold of even the strongest thing

and pulls it toward the heart of the world.





Each thing

– each stone, blossom, child –

is held in place.

Only we, in our arrogance,

push out beyond what we belong to

for some empty freedom.

If we surrendered

to Earth’s intelligence

we could rise up, rooted, like trees.

Instead we entangle ourselves

in knots of our own making

and struggle, lonely and confused.

So, like children, we begin again

to learn from the things,

because they are in God’s heart;

they have never left him.

This is what the things can teach us:

to fall,

patiently to trust our heaviness.

even a bird has to do that

before he can fly.

Rainer Maria Rilke Rilke’s Book of Hours: Love Poems to God New York: Riverhead, 1996 (Translated by Anita Barrows and Joanna Macy)

Vase by Small Circle Big Circle